Some might say the Abraham Lincoln we see portrayed in the film is still too much legend and too little man, but I disagree.
"The great houses we see in the TV and film versions of 'Pride and Prejudice' are too great, " she insists, arguing that by imagining the action of Jane Austen's novels taking place in such grand houses, we change their tone.
"My friends and I thought it was so appalling we vowed to never see the film, " says Suzuya Bobo, a 22-year-old Los Angeles video producer.
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But it has one final meaning, symbolized extremely clearly in the final shot of the film when we see John Blake step forward and that platform RISING to lift him to claim the legacy of Batman that Bruce has passed on to him.
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Ben Stiller stars as Ted, who we see at the beginning of the film as a shy high school student with a mouthful of braces that make his face look like the grill of a 1957 Buick.
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And in the second film, The One Percent, they see that we have this growing wealth gap.
So many people concern themselves with the--if one becomes popular and does well in film, we may not see you back in the studio turning out music.
We thought a few thousand people would see the film, but in less than a week, millions of people around the world saw it.
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"Taste of Cherry" closes with an astonishing, ambiguous nighttime scene in which lightning seems to battle literal and metaphorical darkness, followed by a coda in which we see Mr. Kiarostami and his crew at work on the film, signaling that although the story may have ended, the storyteller remains.
In the film version of "Greendale, " we see actors dramatizing the story, but the only soundtrack is the songs themselves.
In a strange twist of fate, I was able to see what the vision of John Noel and the words we had captured on film really meant when you are talking to the person on the other end of the phone.
"We went to see Be Kind Rewind - with Jack Black - and in the film they make all these re-makes of films like Ghostbusters because Black wipes all the videos in this shop where he's working, so he has to go out and retrieve them, " Young explains.
In the film's brisk, info-loaded first act, we see how this watchful, attentive henchman puts his learning into effect to step into his boss' shoes.
True, we see a handful of rich white men being ejected from fancy apartments, but then the film coughs politely and moves on, as if recalling that nobody is richer or whiter than Bruce Wayne, and that his apartment is, in fact, a castle.
"It's staggering how many people we see switching to Final Cut Pro, " says David Tecson , president of the TV and film post-production house EdgeWorx .
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