Vujevic's childlike features and height make her ideal for the show's cartoon-y look, Gerlan says.
Vujevic bids them farewell and runs downstairs to head over to the Metropolitan Pavilion for Lavigne's show.
When a camera focuses on Vujevic, she narrows her eyes ever so slightly.
The show is over in 10 minutes, and Vujevic is already 30 minutes late for her next job in SoHo.
The stage manager yells again for the girls, and Vujevic joins the line of models near the backstage runway entrance.
Vujevic takes a seat, and a makeup artist gets to work on her face while a nail technician applies heated "nail shields" that behave like stickers.
Lots of girls are tall, thin and beautiful, but Vujevic has an "X presence, " said Louise Roberts of APM Models, which represents Vujevic in the United States.
The collection, a swirling motif of skulls, rainbows, pleather and studs, isn't exactly Vujevic's speed, but she's still excited to take part in this kind of production.
It's completely different from Rachel Antonoff's garden party-themed presentation Sunday, in which Vujevic's prop was a badminton racket, or the Christine Alcalay presentation earlier that day, which was staged in a 1, 000-square-foot studio in an office building.
"When I was a little girl my favorite doll was named Petra and I carried her around with me everywhere, " the designer explains as Vujevic struts down the narrow path in between racks of clothing and accessories littering the floor.
Vujevic thought she would have a stretch of time for lunch -- modeling makes her hungry, she says -- but as she's leaving the studio, her agency sends an e-mail letting her know that she has a fitting for Gerlan Jeans, so she heads downtown.
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