The overall effect is to make you feel more creative and more connected to photography, to the point where Samsung's marketing about a "new visual communication era" actually has a ring of truth to it.

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But it is the people Nathaniel Kahn finds, the things they say, and the sensitivity and drama of the architectural photography that make this film so richly evocative, its emotional impact matched by its visual beauty.

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Among the treasures exhibited are the 1972 Ziggy Stardust bodysuits designed by Freddie Burretti, photography by Brian Duffy, album sleeve artwork by Guy Peellaert and Edward Bell, visual excerpts from live performances and films including The Man Who Fell to Earth, music videos like the Boys Keep Swinging, and set designs created for the 1974 Diamond Dogs tour.

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