Govan insists Zumthor's design isn't written in stone, and that there's room for a public voice in a proposal that would give new vision to public art.
WSJ: Michael Govan, the Man Behind LACMA | WSJ. Magazine May 2013
Our cover story profiles a wealthy Dutch woman whose vision of fine art led her to buck the prevailing taste of her time and amass one of the world's finest collections of Van Gogh.
His vision of the synthesis of art and science may be a never-ending process, but his work on Nina just may be the full fruition of a lifetime of trying.
Barnes (1872-1951), the physician who devoted a fortune made from a drug of his own invention, Argyrol, to the creation of this extraordinary collection, every item expressed his obsessively personal vision and idiosyncratic ideas about art.
Yet the most provocative aspect of his vision, that avant-garde art could be a truly popular and collective experience, may be more distant than ever in the fragmentary multi-channel long-tail present.
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The 83-year-old activist is a trustee of the University of California at Santa Barbara Foundation, the Rubin Museum of Art, and the Creative Vision Foundation.
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Mr Paz once referred to Inhotim as a future "art Disneyworld", a vision that prompted fears of excessive commercialism, something that the collection's curator is quick to dismiss.
Trend chasing is a fairly taboo act in any creative field, where having a distinct and unique vision is the key element to creating affecting and effective art, and it can be a death wish in pop music.
Vision in a Cornfield is a new exhibition at the Museum of Contemporary Art Detroit that brings these perspectives together in a quirky meditation on the spiritual aspect of abandoned automobiles within a contemporary framework.
FORBES: New Exhibition: Vision in a Cornfield at Museum of Contemporary Art Detroit
As an illustrator did he have the passion and individual vision that put a satirist such as Daumier (see article) into the category of great art?
The large, spare rooms of the brick warehouses and concrete silos, where contemporary art and unusual antiques mix with farm tables and oversize slipcovered sofas, encapsulate his vision in its most elevated form.
While the U.S. was struggling through the Depression and encouraging the kind of representational art tinged with social themes propagated by the Works Progress Administration, the Park Avenue cubists insisted art should exist apart from politics, in a protected sphere where individuals could assert a private vision.
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