Cinematic CG-infused video game trailers and opening sequences have become commonplace.

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Because the video is so much part of what has made the song a hit, he took 2, 000 image from the video and attached them to the beat sequences, so that the images swap in sync with the music, even though all of it is in constant recombination.

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The paradoxical romance of heavy industry, the destruction of old parts of town and their replacement with desolate tracts of soul-killing state modernism, and the thrill of teeming crowds at soccer games, on beaches, and aboard ferries are all ingeniously conjured through montage sequences, set to music, that suggest the culmination of the music video.

NEWYORKER: Of Time and the City

This interactive video, built to show off the almighty HTML5, has, whilst curating multiple windows in rhythmic sequences, successfully blown my mind.

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