But for what Veronese was truly capable of, there's the last gallery's head of St.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
But we can't properly take the measure of Veronese without a trip to Europe.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
The largest painting on display at the Louvre is The Wedding Feast at Cana, painted by Paolo Veronese in 1563.
Of course, this kind of sensuality made Veronese a specialized taste in early 20th-century America, suitable only for daring collectors.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
With abject competitive fury, he was not above imitating the grand dragon of the Venice art world, Titian, and his designated successor, Veronese.
Painted in 1551, before Veronese left the mainland for Venice, it presents an aggrandizing view of a plump, magnificently dressed young man from Vicenza.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
Limned with equal sensitivity are two chalk drawings by Paolo Veronese, "Study of a Black Youth Eating" (c. 1580) and "Study of the Head of a Black Man" (c.1573).
Veronese is a virtuoso of gesture and posture, too.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
And just as Matisse's paeans to the tension between the three-dimensional world and the flat canvas have been dismissed as "decorative" because of their glorious color and patterning, Veronese's lush figure groups have been similarly labeled, for similar reasons.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
We see Veronese fine-tune his conception in works from the late 1550s and from c. 1580-85, before we encounter a reprisal of the motif, painted c. 1590, after the master's death, and signed by "The Heirs of Paolo Veronese" his sons and studio assistants, who carried on the tradition.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
Conceived and organized by Virginia Brilliant, the Ringling's curator of European Art, in cooperation with Frederick Ilchman, curator of paintings at the Museum of Fine Arts, Boston, in part to set the Ringling's important Veronese paintings in context, the show is the first comprehensive overview of Veronese's work in more than 20 years.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
Due to the usual difficulties in obtaining loans, there are some conspicuous absences, but the selection includes enough outstanding works to provide a sense not only of Veronese's evolution and achievement, but also of the range of his themes, the way he repeated and varied those themes, over time, and how, as a successful cinquecento artist, he worked with assistants.
WSJ: More than a Mere Colorist | Veronese | Ringling Museum of Art
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