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As for the Angel, van Eyck has transformed this divine messenger into a magnificent apparition.
WSJ: Jan van Eyck | 'The Annunciation' | Old Subject, New Approach | Masterpiece | By Richard Cork
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He has repopulated the Van Eyck masterpiece with familiar, if somewhat unexpected, faces.
WSJ: Review: A New Interpretation of a Masterpiece | 'Eduardo Arroyo: The Mystic Lamb' at the Prado in Madrid
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Van Eyck paints them upside-down and back to front, so that God may read them more easily from his heavenly vantage.
WSJ: Jan van Eyck | 'The Annunciation' | Old Subject, New Approach | Masterpiece | By Richard Cork
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Van Eyck makes no attempt to invest her with poised, spurious glamour.
WSJ: Jan van Eyck | 'The Annunciation' | Old Subject, New Approach | Masterpiece | By Richard Cork
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The petals spring to life through van Eyck's virtuoso handling of light.
WSJ: Jan van Eyck | 'The Annunciation' | Old Subject, New Approach | Masterpiece | By Richard Cork
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The composition is freighted with meaning in the same way that virtually every object in a Jan van Eyck painting operated as a symbol.
WSJ: Paths Easy and Daunting | Ming Masterpieces | Artful Recluse | Lacma | Asia Society | By Lee Lawrence
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Hence van Eyck's readiness to make Gabriel such a glittering figure.
WSJ: Jan van Eyck | 'The Annunciation' | Old Subject, New Approach | Masterpiece | By Richard Cork
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Why did van Eyck set his "Annunciation" in a church?
WSJ: Jan van Eyck | 'The Annunciation' | Old Subject, New Approach | Masterpiece | By Richard Cork