Mr. Byrd estimates that New York audiences for his "Cat on a Hot Tin Roof" were 70% to 80% African-American, slightly better than the turnout for "Stick Fly, " the chronicle of an affluent black family during a complicated weekend on Martha's Vineyard.
WSJ: Stephen Byrd | Developing a Multiracial 'Desire' | Cultural Conversation by Joanne Kaufman