"The risk of orchestrated systems--and the reason that we're all trying to move toward more choreography--is that you can get a bottleneck if the traffic cop can only handle so much traffic at one time, " says Page.
With Argo, Affleck has taken a somewhat different approach, leaving the streets of Boston and the criminals and blue collar workers and cop drama all behind him and traveling not only back in time but across the ocean to the events surrounding the Iranian hostage crisis.