Jean-Baptiste Camille Corot was a leading mid-19th Century French painter who was a particular influence on the Impressionists.
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Degas showed with the Impressionists but he rejected the label for himself.
In Paris, Cezanne found a small circle that understood him: the Impressionists.
The poufy pleats of ruching, the velvet's nap and the refractions of silk: Such subject matter wasn't noble or timeless, but noble and timeless didn't interest the Impressionists.
None of these motivations for inflating the price of Van Gogh and the Impressionists until they threatened to burst have had much to do with enduring artistic value.
While the plein-air paintings of the Impressionists and post-Impressionists seem studied in comparison with the informality of these watercolors, we search the Sargents for evidence that their creator was aware of the developments in abstract art during the first decades of the 20th century.
He also knew the French Impressionists' paintings of expansive avenues, exquisite vistas and elegant bourgeois society that marked the stunning transformation of Napoleon III's Paris into a gleaming, modern metropolis.
But what I liked best was to do new paintings in the style of the French Impressionists.
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Key pieces by the great impressionists: Monet, Sisley, Renoir.
Now competing for the best French Impressionists, they mean to show themselves as men of the world in the fullest economic and cultural sense.
The market share of impressionists, for example, fell 12% over the ten years to 2012.
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Mr. RUBALCABA: They were very serious about make us learn about the European heritage, the European musical tradition, the whole history, the Renaissance, Baroque, romantic Impressionists, Expressionists, the contemporary composers, but nothing about Cuban composers, even classical Cuban composers.
The achievement of the renovation is that it hasn't forsaken any of that spark, while making a powerful statement that American art deserves the same respect as the Old Masters and Impressionists in its collection.
Impressionists favor the clear light of midafternoon, and instead of focusing on panoramic views, they concentrate on the quality of natural light reflected on specific surfaces a single copse of trees, a short span of running river, a group of village houses and rooftops.
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Impressionists have become the preoccupation of an older generation.
For him it vindicated a slight quite different from the grudge he held on behalf of his brother Impressionists.
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By the 1930s this had secured a dazzling collection of paintings, notably of impressionists and post-impressionists, though today it also has excellent American galleries, as well as good Asian and Middle Eastern artefacts.
He notes that impressionists used pigments in oil, which was a new medium at the time.
Summer turns the plains of the Maremma into vistas of sunflowers and waving, golden grain, a classic backdrop for paintings by the Macchiaioli, a once-prominent group of late-19th-century Italian Impressionists.
Australian Impressionists like Tom Roberts and Frederick McCubbin, worked en plein air to depict the lovely coastal landscapes of Sydney's Coogee, Melbourne's Brighton and their de rigueur tableaus of primly dressed beach goers.
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