Mr Bakopoulos's well-told debut novel is the first-person story of the coming-of-age of one of the sons, Michael Smolij (16 when his father vanished) and his friends.
Blume and her son assured the audience that changes were made to preserve the film's narrative flow, which can be challenging in adapting a first-person novel.
How does the tool kit of thenovel, with its venerable elements of dialogue, landscape and plotting, persuasively present the first-person experience of someone who is overstimulated by the input of life and yet lacks the cognitive means to process and communicate it?