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Among his students were Stan Brakhage, Maya Deren, Shirley Clarke and Jonas Mekas, all key figures in the experimental New American Cinema of the 1950s and '60s.
WSJ: Avant-Garde Film's Godfather | Hans Richter | Los Angeles County Museum of Art | Richard B. Woodward
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" "Musicals have always been part of the tradition of American cinema, and Bollywood really just took it to the next level.
CNN: Is Bollywood coming to Hollywood?
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It helped, of course, that Siskel and Ebert joined forced in 1975, at the height of the golden age of American cinema.
FORBES: Roger Ebert Dead at 70 After Long Battle With Cancer
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There is a sense of dismay in these films, a pervasive moral revulsion that we haven't felt in American cinema since the Watergate era.
CNN: Review: Weekend's lead player -- violence
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Its issues of historical accuracy aside (and conceded from the start by Affleck and others), the movie's a crisp little nail-biter that easily sells itself to the international marketplace, which remains the final frontier for American commercial cinema.
CNN: With 'Argo' win, Hollywood air kisses itself
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Salles is at the forefront of a new wave of Latin American cinema and has played a central role cultivating a sense of unity among the region's filmmakers.
CNN: Walter Salles: Back on the road
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But eight years later, the few people that visit the mall today typically hang out at the American fast food restaurants near the entrance or at the IMAX cinema outside the mall.
CNN: World's biggest mall a China 'ghost town'
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Films by American-born directors Orson Welles and John Ford in the retrospective attest to the influence of Weimar cinema on generations of American directors.
WSJ: Hollywood's German Influence | The Weimar Touch | Museum of Modern Art | By A.J. Goldmann
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Well before the birth of multi-channel television, American films dominated world cinema.
ECONOMIST: A world view | The
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Kazan introduced into cinema the faces and the vibrancy of the unseen American mongrel gallery: Mexican peasants, Italian longshoremen, Appalachian yeomen, black sharecroppers, Anatolian immigrants.
NEWYORKER: Method Man