At least the catalog does, in its wide-ranging essays by a variety of scholars and its reprints of critical texts from 1933 and 1954. (It also includes a fascinating technical analysis of Braque's work that reveals much about his methods.) The exhibition allows the paintings to speak for themselves.
WSJ: Reaching Out to Touch Space | Georges Braque and the Cubist Still Life | Kemper Art Museum | By Karen Wilkin