The result is a symphonic mixture of voices (the talk in the film is nearly constant, and constantly transfixing), as well as a gripping array of faces and gestures.

NEWYORKER: Witness

The symphony recently co-commissioned a symphonic work by Mexican composer Juan Trigos, accompanied by a film to be projected above the orchestra, celebrating the Mexican tradition of the Day of the Dead.

WSJ: At the Houston Grand Opera, It's Alto, Bass, Tenor, Sombrero