Tackling the music of Jimi Hendrix is not the first time the group has challenged the sound of traditional chamber music.

NPR: Hear the Music

Vincent, Merrill Garbus's Tune-Yards and Laura Marling, who added a cello and brass to her retro-folk sound, presented polished, high-concept chamber pop, as did Other Lives, who impressed with melodramatic baroque folk featuring strings, orchestral synths and vocal harmonies in support of the quietly charismatic singer Jesse Tabish.

WSJ: Coachella's Modern Mosaic | By Jim Fusilli

This might sound like libertarian boilerplate: Nietzsche repackaged for the Chamber of Commerce crowd.

ECONOMIST: The life and views of Ayn Rand

The flying scenes are big and bombastic, and the sound quality makes you feel as though a small chamber orchestra were sitting on top of your head.

NEWYORKER: Wings of Courage