His buttery smooth TV baritone voice comes by way of his nightly dip into Cuban cigars.

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It's sort of this velvety, smooth, world-weary voice that seems to be untouched by time.

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His surface is so smooth, his movements so easy and fluid, his voice so consistent and well-pitched that he can seem like an actor playing a politician, too implausibly effortless to be doing it for real.

NEWYORKER: The Conciliator