• Paul Rudd is mainly the straight man in this wan, sentimental, occasionally very funny comedy.

    NEWYORKER: Role Models

  • Swanberg makes James merely a man stolid, ambitious, capable, sentimental, and self-absorbed.

    NEWYORKER: Nights and Weekends

  • Its central relationship, between an upper-middle-class man and his working-class lover, has been described as sentimental, its happy ending dismissed as wish-fulfilment.

    ECONOMIST: Musing on an English master

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