Samuel Fuller, who was a novelist as well as movie director, used to write up these big storyboards, not necessarily with ideas, but he would have this different - the sequence of scenes in different colors: red for a romantic scene, blue for an action sequence - and try to vary his pace that way.

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In the first scene of this combined romantic comedy and caper movie, Claire Stenwick (Julia Roberts), a C.

NEWYORKER: Duplicity

When you got up close, you saw that it was all aluminum foil and spray paint, but by candlelight the scene looked sumptuous, romantic.

NEWYORKER: Raj, Bohemian