The moral motion of the film is fairly simple the return, and redemption, of a prodigal son but Gray steeps his tale in murky complication, and the staging of every scene, be it downbeat or frantic, is so assured that you barely notice the implausibilities. (Bobby and Joseph, for instance, hardly look like brothers.) The rain-drenched car chase, halfway through, is reason enough to see the film.

NEWYORKER: We Own the Night

The rest of the time, she was beyond inscrutable, in perpetual motion: cleaning, organizing, cooking meals, going to the store to return this, pick up that.

NEWYORKER: The Pura Principle

Gentle range of motion exercises along with various modes of physical therapy are important as athletes plan to return to the game.

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