Which is to say, it's pretty plain-Jane, with a matte, scratch- and finger-print resistant gray back.

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Wolfgang Mozart didn't just write pretty incidental music for the court, Jane Austen didn't just write love stories and Bonnard didn't just paint pretty flowers, bowls of fruit and tabletops.

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And that, ladies and gentlemen, pretty much sums up the genius of Jane's Addiction -- the friction of three disparate parts rubbing together, until finally, it explodes into a glorious musical fireball.

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