This year, that work would be the star feature at Marlborough Fine Ar t: a dazzlingly beautiful, sun-drenched Mark Rothko canvas, seeped in burnt orange and the palest pink, and dated 1954.
"Spent Days Out Yonder" (2000) is the palest of the run's offerings, from the colors of Liz Prince's casual-wear costumes to the flicked gesturing and hollow, parading pace of Mr. Jones's unmemorable choreography.