• Making his first narrative feature outside Iran, the writer-director Abbas Kiarostami embraces the sensuous beauties of the Tuscan landscape and the freedom to show a man and a woman openly flirting, quarrelling, and possibly going to bed together.

    NEWYORKER: Certified Copy

  • Though this narrative feature film project will mark something of a departure for Broomfield, fans of his documentary work can rest assured that he will continue to make his famously chaotic documentaries: he is reportedly close to completing a documentary about Sarah Palin.

    CNN: Nick Broomfield: Tanzania is the next movie hotspot

  • As for 2D cinema, filmmakers are likely to avoid HFR like the plague for narrative-style films which don't feature scenic vistas, action or special effects.

    ENGADGET: Editorial: Despite shaky 48 fps Hobbit preview, high frame rates will take off

  • The show used the shabbiest possible effects, plus a fly-by-night attitude toward narrative logic, although its low budget was as much a feature as a bug: it made something out of nothing, much the way Abed and Troy constructed their Dreamatorium engine out of cardboard tubes and a funnel.

    NEWYORKER: Fantastic Voyage

  • Each of these would bring richer flavor, visual and narrative innovations, strong storytelling, and deep modern relevance to the category of feature documentaries.

    FORBES: Do The Oscars Have A Best Documentary Problem?

  • Feature writing: John Branch of The New York Times for his evocative narrative about skiers killed in an avalanche and the science that explains such disasters, a project enhanced by its deft integration of multimedia elements.

    WSJ: 2013 Pulitzer winners in journalism and arts

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