That may sound impossible, but it apparently works by concentrating the extra light-gathering area of a full-frame lens down to the smaller E-mount sensor area, turning an f4.0 lens into an f2.8 lens, for instance.
With its teasing play of light-merging direct vision and reflection within a single frame-the entrance is the first of many screens that visitors encounter at the Museum.
Similarly, the full-frame sensor enabled low-light captures that would have yielded a fair amount of noise if shot on the RX100, and much of the time, I did appreciate having such a shallow depth of field at my disposal.
Mr. Loquasto provides the barely 10-minute work with an evocative setting and costumes that frame its incidents as those in a seedy industrial area's red-light district.