As you enter the National Gallery's East Garden Court, a sumptuous high-Victorian atmosphere envelops you: The Pre-Raphaelites have begun their reign here.
Its textile mills, public buildings and workers' housing are built in a harmonious style of high architectural standards and the urban plan survives intact, giving a vivid impression of Victorian philanthropic paternalism.
Yet Hunt's "Valentine Rescuing Sylvia From Proteus" (after Shakespeare's "Two Gentlemen of Verona") attains a high degree of Romantic beauty while offering a record of the painstaking historic realism that characterized Victorian Shakespeare productions by Charles Kean and Henry Irving.