So at one point in the ride, you know, he was sort of chatting with me and he looked at me and he said, you're an American, yes?
Because I would sit with my dad when he would practice for hours and he would show me what every note meant, and he'd put a metronome on and he'd make me keep time with the metronome and he'd play notes and have me sing them back.
And then he drove up to my destination and he threw his arm over the back of the chair and he looked at me directly in my eyes and he pleaded with me, he said, please don't let this happen to America.
And that's when he asked me - and he got strong and sort of gruff and he said, tell me, what are you doing?
And he grabbed me and picked me up and said, oh my God, you've got to do my show next week.
And he contacted me and he said he wanted to do a story on it.
Kazmierczak "told me that he loved me and that he would see me on Thursday and missed me, " she said.
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He doesn't mistreat me, he doesn't abuse me and he doesn't hit me.
I've just had a guy who sparred with Nathan Cleverly and he came and sparred with me and said he's never been hit like that in his life.
One day he was rubbing my legs and telling me he loved me and the next he just walked out.
"I went to see the Killers in New York last year, and he told me he was thinking of recording some solo stuff, and asked me if I'd like to play with him, " he said.
He struck me as between ten and fifteen years older than me, and at first he talked to me the way an older man would.
He often phones me and tells me to let him know if I want to go somewhere and he will come with me.
Gaunter was on the cutting edge, the leading American expert on sake, and he took me to bars and retail stores, and showed me entire styles I did not know existed.
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You know, I was on the plane flying over here, and Carl Levin was with me, and he showed me a speech that Harry Truman had given on Labor Day 63 years ago, right here in Detroit -- 63 years ago.
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I've seen much worse tackles and I was just unlucky with where he caught me and the damage he did.
"Before the door opened and he throws me to my knees, he and I were crying, laughing, at the jokes we were making, " Roberts said.
His back straightens and he looks me up and down.
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My models were Bob Geddins, a black guy from Texas who had various little labels set up in Oakland he had a pressing plant and he taught me where to put a microphone and a Mr. Jaxyson, pronounced 'Jackson, ' who had a little label, named for himself, also in Oakland.
He took me aside and told me about another project he had on the go.
And he told me that he wasn't leaving, that we had been through everything in our whole married life and he was going to stay with me.
He was smiling under the blackness that shone on his face, and he leaned over me and seemed to shriek.
He was named Achor Achor, and he helped me that afternoon to find an appropriate stick and piece of string.
And instead of becoming defensive, he listened to my concerns and he allowed me greater involvement in the process.
"Michael probably gets out there a little more maybe from my side of things, he came up to me and spoke to me and I think he's been doing it to most players, " Johnson said.
And at the very end of the encore, I remember I put the tape right near his peddle board, John Spencer's peddle board, and I remember he looked right at me and he just smashed the tape with his foot.
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