Instead of keeping the written and improvised parts of a tune separate, Gress might layer one over the other.
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Much as Gress likes aggressive playing, he doesn't deny his love of good melody.
But a loan isn't an option for Gress, whose credit rating is hurt by lingering debt from admittedly unwise earlier choices.
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For Gress, it's an update of how horns intertwine in old New Orleans jazz.
Gress' quintet has toured a bunch since recording the fine 7 Black Butterflies in 2004.
Gress' broad range of interests and skills make his own albums, including his new one, particularly interesting.
As a composer, Gress is interested in unifying the sound of an album by writing themes that echo or resonate off each other.
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