No one could argue with its cry for justice, but individual stories tend to getdrowned out, and the act of watching it comes embarrassingly close to life in the pits a long, hard slog in the dark.
If you like dubstep these will do the trick, all while maintaining just enough bite so that the throaty top-end of bass lines -- like that of Mike Dirnt's on Green Day's album Dookie -- don't get totally drowned in the mix.