Beneath a railway bridge, Swiss artist Franziska Furter's "Mojo" (2012), a colorful concoction of magic amulets, hangs like a chandelier, moving and tinkling with the wind.

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The Pontipee brothers, after all, are trapped in a dull, generic plot when they're not leaping over sawhorses, whereas there's a knowing awareness of form to Dr. Frank-N-Furter's gyrations that goes way beyond mere choreography.

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