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"Piero della Francesca in America" reunites six of the surviving St.
WSJ: Separated at the Altar | Piero della Francesca in America | Frick Collection | By Karen Wilkin
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"These" were Piero della Francesca's frescoes in the church of San Francesco in Arezzo, Italy, a place of pilgrimage, then as now, for lovers of the severe Renaissance master from Umbria.
WSJ: Separated at the Altar | Piero della Francesca in America | Frick Collection | By Karen Wilkin
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"Piero della Francesca in America, " the splendid small exhibition organized for the Frick by the guest curator and former Andrew W. Mellon Fellow Nathaniel Silver, bears witness to the effects of that trip.
WSJ: Separated at the Altar | Piero della Francesca in America | Frick Collection | By Karen Wilkin
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These are shown in the car park 14 floors below street level, accessible only by lift, as if buried in Mayfair's subconscious, and lit by five wall-size light boxes showing an enlarged detail of horses legs, taken from Piero della Francesca's Arezzo Fresco Cycle.
WSJ: London Artists and Curators Ponder the Unconventional With Unique Spaces
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These paintings were a source for Piero della Francesca's cycle on the same subject, painted in Arezzo in the middle of the following century, though Gaddi, with happy disregard for realism in scale, hardly anticipates the rigorous perspective and complex geometry of Piero's work, not to mention its cold, clear atmosphere or the figures' graceful stillness.
WSJ: A Heavenly View From On High | Basilica of Santa Croce | Agnolo Gaddi | By Francis X. Rocca