In short, the rise of the four-quadrant mega-budget boy-centric fantasy picture coincided with the general demise of the female-driven genre film.
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Warts and all, this is the kind of film that major studios used to release on a regular basis before the rise of the four-quadrant tent-pole.
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Still, 42 is a strong example of the moderately-budgeted studio programmer that used to be par for the course before the era of the four-quadrant global blockbuster.
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