Mr. Shore's overture comprises seven themes, all of which reappear and interlock in various forms like parts of a fine timepiece, a fitting concept since 12-year-old Hugo tends to the clocks of a Paris train station.

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This is the beginning of a most extraordinary correspondence, which lasts almost a quarter of a century, until Emily Dickinson's death in 1886, and during which time the poet sent Higginson almost one hundred poems, many of her best, their metrical forms jagged, their punctuation unpredictable, their images honed to a fine point, their meaning elliptical, heart-gripping, electric.

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