Lying abed, looking at the Emerald City of unfettered finance capital coruscating across the rooftops of the Victorian corridor streets that Le Corbusier and Howard so decried, I can appreciate that enacted here is the most important axiom of contemporary architecture - form follows finance.
It may be that PoMo quotation, of which a gutful has been served up over the past 25 years, served a useful purpose in reminding architecture's public that, yes, there was indeed a vast repertory ofform and ornament on which early, messianic Modernism had turned its back.