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It's an invention by a startup called MaxiVision Cinema Technology that combines an enhanced filming process with a robotic, digitally controlled attachment to current film projectors.
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His "Dream Displacement" from 1976 employs four film projectors to cast lozenge-shaped red images that go in and out of phase in a loop, like four animated Rothkos.
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Film projectors could prove to be digital cinema's toughest competition.
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Moreover, League adds, if you had only one copy of a blockbuster film running in several auditoriums, you'd have to jury-rig a setup in which you would run the film through multiple projectors, an arrangement that was both clumsy and dangerous.
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Many of the cinemas are art houses, which have been helped to convert to digital projectors by the British Film Council.
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In this case, however, the light is polarised in a different linear direction for each eye, so as to match the polarisation of the two side-by-side projectors used to show the film.
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While this places a burden on theatres that still use 35 mm film for cinematic display and may force them to either go out of business or make the transition to digital projectors, it also puts pressure on some movie producers who still favor the use of traditional film in movie production.
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