The comedian Roberto Benigni, playing a motor-mouth cabbie in the Italian episode, briefly enlivens the picture with a riotous erotic monologue.
NEWYORKER: Night on Earth
But the picture is more disturbing than erotic.
FORBES: Henri Cartier-Bresson: Aesthetic Contrarian
It is the first word of the title, not the fourth, that dominates the picture, which is essentially the selective erotic memoir of a San Francisco filmmaker named Caveh Zahedi.
NEWYORKER: I Am a Sex Addict
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