Mr Ellroy's distinctive on-page voice is part 1950s jive-talking jazzman, part high-minded seeker after eternal truths.
ECONOMIST: The man that mother made
Mr Ellroy, incidentally, has kept the cover designers at Random House working hard as well.
What Mr Ellroy gains in surface sizzle he loses in emotional resonance.
Mr Ellroy's day-to-day life seems to involve little apart from writing and promoting his books, and lying around in the dark fretting about women.
This Brian De Palma movie about the notorious Betty Short murder case, from 1947, which was the basis for a 1987 novel by James Ellroy, suffers from rampant allusiveness to other movies set in Los Angeles.
NEWYORKER: The Black Dahlia
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