The romance is airy and distant, because the lovers never meet until the final scene, and the comedy is kind of wistful, because it was directed by Nora Ephron.
NEWYORKER: Sleepless in Seattle
The movie, written by Russell Gewirtz and directed by Jon Avnet, is nonsense about a serial killer who leaves behind poems at the scene of the crime.
NEWYORKER: Righteous Kill
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