The other realm of the futurist designer, less pure and often delightfully so, is film costuming.
Set design, costuming -- everything was conspiring to make you believe that's where you were.
He studied costuming and has collaborated with costume directors throughout his movie and theater career.
Graham's choreography is thus performed without its original costuming and set pieces.
WSJ: Martha Graham's Mythology | Joyce Theater | By Robert Greskovic
The Victorian costuming is elegant, while the streets are cramped and dirty with notorious interludes and crime to be found in every alley.
Beautifully lighted by Mark Stanley and neatly outfitted in uncredited costuming, "Ivesiana" shows a side of Balanchine not readily found in his extensive NYCB repertory.
WSJ: An Occasion to Reflect on Peter Martins's Legacy | By Robert Greskovic
Alvin Curran's original music, Burt Barr's visual setting of several industrial fans and Kaye Voyce's layered and eventually peeled away costuming all failed to impress.
WSJ: A Matter of Personality | Trisha Brown | Karole Armitage | By Robert Greskovic
The major miss for "In Creases" is the unbecoming costuming that Mr. Peck and Mark Happel devised for the men, making them look like hillbillies in long johns with lifeless black socks and slippers.
WSJ: An Occasion to Reflect on Peter Martins's Legacy | By Robert Greskovic
In Mr. Gomes's showcase, Jorma Elo's awkwardly titled "Still of King, " the dancer looked ballet-classical in uncredited costuming of cream tights and crepe-de-chine "Romantic" shirt, but the classic costume design turned out to be a gag for the choreographer.
WSJ: Kings of the Dance, Opus 3 | Royalty Made Common | By Robert Greskovic
"D-Man in the Waters" (1989), an often frantically busy exercise performed in Ms. Prince's olive-drab costuming to Mendelssohn's effervescent Octet for Strings in E-Flat Major, began life as a showcase honoring a company dancer then ravaged by AIDS. It remains a thin, derivative work that looks back here and there in its diving-to-the-stage energy to Paul Taylor's masterly, heart-pumping, Bach-inspired 1975 "Esplanade, " as well as to Mark Morris's evocative and momentous 1981 "Gloria" (to Vivaldi).
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