But only two of these super-size prints (a self-portrait by Mr. Close and Ms. Carey's abstraction) are seen here, and neither their placement nor the several examples of 20-by-24-inch rints adequately convey the increase in scale (and sharpness of detail) that excited so many artists in the 1980s.

WSJ: The Polaroid SX-70 as Sexy Tech | Frances Lehman Loeb Art Center | By Richard B. Woodward

It may need some help from outsiders with marketing and product placement, but diversification probably makes more sense than just sticking with a capricious federal customer as the walls close in.

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