The terrible beauty of Collins's Dublin is evoked by cinematographer Chris Menges as a city of smoke and shadows where darkness mitigates daylight.

WSJ: A Darker St. Pat's Film | Michael Collins | Neil Jordan | By Allen Barra

The great cinematographer Chris Menges keeps the images cool and crisp.

NEWYORKER: Dirty Pretty Things

The strength of the movie resides mainly in the work of its cameraman, Chris Menges, who delivers a barrage of images as rousing and changeable as the fortunes of Collins himself.

NEWYORKER: Michael Collins

The cinematography is by Chris Menges.

NEWYORKER: Extremely Loud & Incredibly Close