Howard Davies directs this tale of three generations of a dysfunctional family in their seaside, 1930s Art Deco house in Devon, reconstructed by designer Vicki Mortimer, in a way that tells you all you need to know: the mess is incredible though the real estate is obviously valuable, and the Che Guevara poster tags Judy's political views.
Lloyd compares its use by protesters to the way Alberto Korda's famous photograph of Argentine revolutionary Che Guevara became a fashionable symbol for young people across the world.
Aware that Mustafa is eavesdropping, Isabella sings the aria "Per lui che adoro" "For him that I adore" asking Venus's help in winning the man she loves.