• On the one hand, with its comforting array of British character actors and its kindly, not to say obsequious, approach to a royal triumph over circumstance, it touches the most conservative chords of period drama.

    NEWYORKER: The King's Speech

  • Nutley gets it going briskly enough, unveiling a fine array of local gossips and weirdos: but none of them quite takes fire as a character, and the film itself loses heart.

    NEWYORKER: House of Angels

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