Faces are drawn and taciturn, with the odd startling exception, such as the profile shot of a beautiful young Mexican woman, titled "Woman of Alvarado, " which Strand took in Veracruz in 1933.
WSJ: Review: Two Sides of the Same Coin | 'Henri Cartier-Bresson/Paul Strand, Mexico 1932-1934' at Fondation Cartier in Paris