Who would have seen the joke, and the horror, more clearly than Pina Bausch?
Ms Bausch's signature can be detected in a great deal of modern German choreography.
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In 1973, a 33-year-old dancer named Pina Bausch was invited to take over the directorship of Wuppertal's ballet.
Ms Bausch exemplifies a trend that is far stronger in German dance than ballet could ever aspire to be.
For years, Wenders was planning a collaboration with the German choreographer Pina Bausch, who had run the Tanztheater Wuppertal, in northwest Germany, since the early nineteen-seventies.
Two days before the rehearsal shoot, in June, 2009, and five days after being given a diagnosis of cancer, Bausch died, at the age of sixty-eight.
As a kid, the Eastman Kodak brand was the undisputed king in a city known for its industry giants, including Bausch and Lomb, Xerox, Gannett, and Western Union.
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Unusual individuals such as Ms Bausch have, moreover, laid down aesthetics for an art form which, in this large, culturally often fractious country, has always lacked a centre.
Tanztheater Wuppertal, the dance company founded by the late Pina Bausch, will soon begin a lengthy season at Sadler's Wells, while galleries are showing works by artists like Tino Sehgal and Hans-Peter Feldmann.
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