While they are hung separately in the exhibition, the catalog wonderfully juxtaposes Rothko's figurative "Untitled (Man and Two Women in a Pastoral Setting)" (c. 1940) and Milton Avery's "Girl With Cello" (1958) to reveal yet other affinities that Rothko shared with his fellow artists.
WSJ: Becoming Mark Rothko | The Decisive Decade | Columbus Museum of Art