Being at an art show wasn't awkward with a 132-pound dog, said Ms. Dewey.
All a far cry from when the British Art Show was last in Glasgow in 1990.
The city recently hosted the America's Cup World Series, the British Firework Championships and the British Art Show.
Whatever we did not buy he would hang at the next art show.
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Their first major art show in 1885 caused a sensation at the time.
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Then at a local art show, we find a very nice painting, but again it was too large for our space.
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Griffith remembers attending an art show and having to defend their status.
It is mounted at eye level on a grey concrete wall, an arresting display that could almost be an installation in a contemporary art show.
The award for drawing went to former curator of the British Art Show Jacqueline Poncelet for her painting Bryn Ogwyr, which was inspired by her home in Ogmore Vale.
In fact, with the spread of artists and galleries already here, plus events like the GI, there's less of a need for the British Art Show, at least in Glasgow.
According to Francis McKee, director of the Centre for Contemporary Arts, one of three venues staging British Art Show 7, the main difference is that artists no longer have to leave for London.
"More than your typical art show, it really looked more like a farmer's market, " says video artist Zhang Peili, recalling the opening of an exhibition that was bound for history even before it was installed.
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Portrait Salon was formed last year and describes itself as a form of Salon des Refuses - an exhibition of works rejected from a juried art show - that aims to showcase the best of the rejected images from the Taylor Wessing Portrait Prize, which is organised annually by the National Portrait Gallery (NPG).
His first event was the Volta Show, a satellite Swiss production attached to the 2005 Art Basel show.
Art galleries show local work, clearly inspired by the colours and textures of the surrounding countryside.
If there is going to be film, theatre and dance, then it is going to come from an artist's work or mind - not as a separate programme that bears no relation to the art on show.
In a week when art lovers from around the world are crowding the tents of Frieze and Frieze Masters in Regent's Park to admire works of art that are definitively transferable, some artists and curators have taken the opportunity to make or to show art that refuses all such movement, and asserts its relationship to unconventional spaces.
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These are the exhibitions that will get the attention, but don't forget the publically-funded modern art galleries up and down the country that show great art all year round, from the Bristol Art Museum to the National Galleries of Scotland.
"The New Spirit: American Art in the Armory Show, 1913" at the Montclair Art Museum, is the first exhibit to focus on those works.
Three types of interactive graphics let me show sequential art in slideshows, annotate images in guided tours and show steps of a process in slidelines.
An Art of Frankenweenie show will be presented from 17 to 21 October.
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The jukebox will soon be installed at the Berkeley Art Museum as part of a show about silence in art.
These aren't the art films that show at festivals like Sundance.
"Turner Inspired in the Light of Claude" at the National Gallery is a specialist art-historical show though you'd never know it from the crowds there on a weekday afternoon.
The work, by partners Jennifer Allora and Guillermo Calzadilla, is another example of the blend of art and politics on show this year at the event that's often referred to as the "Olympics" of the art world.
The aim is to show the art under the same conditions as it was created.
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Random International, the contemporary art group behind the show, is known for experimental works that often require audience participation.
At the risk of sounding ungrateful for the labor required to organize so many kinds of art, this comprehensive show might easily have been improved.
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Presidential campaign spots are not always folded into the story of Pop Art, but this show makes a good case that they should be, at least on the periphery.
The six-part series, narrated by Kenneth Branagh, used state of the art computer animation to show the behaviour of dinosaurs, on a scale which had not been attempted before.
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