Directors who fled Germany also helped introduce themes of social justice to American cinema.
WSJ: Hollywood's German Influence | The Weimar Touch | Museum of Modern Art | By A.J. Goldmann
An icon of American cinema, Roberts has built an amazing career playing women that navigate personal strength and human vulnerability.
It helped, of course, that Siskel and Ebert joined forced in 1975, at the height of the golden age of American cinema.
FORBES: Roger Ebert Dead at 70 After Long Battle With Cancer
" "Musicals have always been part of the tradition of American cinema, and Bollywood really just took it to the next level.
There is a sense of dismay in these films, a pervasive moral revulsion that we haven't felt in American cinema since the Watergate era.
From Ray to Rai, Indian influence in American cinema is vast.
Among his students were Stan Brakhage, Maya Deren, Shirley Clarke and Jonas Mekas, all key figures in the experimental New American Cinema of the 1950s and '60s.
Salles is at the forefront of a new wave of Latin American cinema and has played a central role cultivating a sense of unity among the region's filmmakers.
Its issues of historical accuracy aside (and conceded from the start by Affleck and others), the movie's a crisp little nail-biter that easily sells itself to the international marketplace, which remains the final frontier for American commercial cinema.
In May, a movie theater in Houston, TX and owned by AMC American Multi-Cinema, reported to state regulators that two tritium EXIT signs had been stolen.
FORBES: Radioactive Tritium Leaks from Nuke Plant; Also Two Million EXIT Signs
Well before the birth of multi-channel television, American films dominated world cinema.
Films by American-born directors Orson Welles and John Ford in the retrospective attest to the influence of Weimar cinema on generations of American directors.
WSJ: Hollywood's German Influence | The Weimar Touch | Museum of Modern Art | By A.J. Goldmann
Were it not for his belief in a nonnarrative cinema, some American film and video artists, even those who were not his students Paul Sharits and Stephen Beck, to name only two might have had different careers.
Kazan introduced into cinema the faces and the vibrancy of the unseen American mongrel gallery: Mexican peasants, Italian longshoremen, Appalachian yeomen, black sharecroppers, Anatolian immigrants.
But eight years later, the few people that visit the mall today typically hang out at the American fast food restaurants near the entrance or at the IMAX cinema outside the mall.
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