How strange, given the ease of producing a billion notes at a keystroke, that there should be any scuffling over ownership of a product as superabundant as algorithmic music.

WSJ: We Can All Have a Slice of Pi | Postmodern Times by Eric Felten

So while an algorithm might be able to sort out a collection of quality content like feature films, or music released by a label, or books distributed by a publisher, the shear volume of self-published books, or self-recorded music, makes the algorithmic approach less and less successful.

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