• The tempo marking in most cases is andante, adagio, or largo.

    大多数第一乐章的速度标记是行板、柔板或广板。

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  • The adagio transitioned into an allegro.

    慢板转为快板。

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  • In a moderately slow tempo, usually considered to be slower than allegretto but faster than adagio. Used chiefly as a direction.

    徐缓的(地);行板的(地):节奏徐缓,通常认为比稍快板慢但比慢板快。主要用作演奏演唱指示。

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  • Barber: American composer whose works include adagio for Strings (1936) and the opera Vanessa (1958), for which he won a Pulitzer Prize.

    巴伯:美国作曲家,其作品包括《弦乐柔板》(1936年)和歌剧《瓦尼萨》(1958年),这两部作品使他荣获普利策奖。

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  • The tempo marking in most cases is andante, adagio or largo.

    大多数第一乐章的速度标记是行板,柔板或广板。

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  • The tempo marking in most cases is andante , adagio , or largo.

    大多数第一乐章的速度标记是行板、柔板或广板。

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  • Adagio in F major (Valverde, joaquin). Flauta, Piano. Romantic.

    F大调柔板(巴尔韦德,华金)。长笛,钢琴。浪漫。

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  • Concerto for Clarinet and Orchestra in a Major, K. 622: Adagio.

    大调单簧管和管弦乐队协奏曲,K。622:柔板。

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  • Flute Concerto No. 1 in G major, K. 313: II. Adagio ma non troppo.

    莫扎特:G大调第一长笛协奏曲,K.313——不太慢的柔板乐章。

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  • Adagio and Rondo for glass harmonica, flute, oboe, viola, and cello.

    为玻璃乐器,长笛,双簧管,中提琴,与大提琴的慢版与轮旋曲。

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  • Piano Sonata No. 8 in C minor , Op . 13 , Pathetique : Adagio cantabile .

    小调第八“悲怆”钢琴奏鸣曲,作品13—— 如歌的柔板乐章。

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  • The most popular were Barber's Adagio for Strings, the second movement of Beethoven's Ninth Symphony and Debussy's Claire DE Lune.

    其中最受欢迎的是赛谬尔·巴伯的弦乐合奏曲《柔板》、贝多芬第九交响曲的第二乐章和德彪西的浪漫曲。

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  • In a finely tuned partnership, Mr. Finckel and Ms. Wu offered a striking interpretation of the work, vigorous in the dramatic Scherzo and deeply expressive in the brief Adagio.

    芬科尔先生和吴女士这对非常和谐的搭档,将这部作品演绎到了极致。戏谑曲活泼跳跃富有戏剧性,简短的慢板饱含深情。

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  • As its title indicates, Robert Schumann's Adagio and Allegro has a gentle and poetic melody as well as passionate and fiery bursts, fully embodying the two sides of Schumann character.

    舒曼的《柔板与快板》正如它的标题一样既有柔美和诗意般的歌唱性段落,也有激昂并迸发火花般的快板段落,充分的体现了舒曼性格中的两面性。

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  • As its title indicates, Robert Schumann's Adagio and Allegro has a gentle and poetic melody as well as passionate and fiery bursts, fully embodying the two sides of Schumann character.

    舒曼的《柔板与快板》正如它的标题一样既有柔美和诗意般的歌唱性段落,也有激昂并迸发火花般的快板段落,充分的体现了舒曼性格中的两面性。

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