事实上，这种更高级别的表现力对于主导19世纪音乐的浪漫主义风格来说是必不可少的。
This capacity for increased expressiveness, in fact, was essential to the Romantic style that dominated 19th century music.
他并不喜欢他年轻时在他家乡很流行的浪漫主义风格的音乐。
He was not a fan of the Romantic style of music that was popular in his homeland during his youth.
与这种纯粹主义相一致的是对作曲家手稿符号的研究，这是音乐学中一个相对较新的领域，直到今天仍在蓬勃发展。
In accordance with this kind of purism came an emphasis on studying composers' manuscript notations, a relatively new field of musicology that is flourishing even today.
在巴托克的青年时期，在奥匈帝国音乐厅里演奏的音乐以德国作曲家谱写的浪漫主义作品为主。
During Bartók's youth, the music played in the concert halls of Austria-Hungary was dominated by Romantic pieces by mostly German composers.
随着简约主义和新浪漫主义作为主要的音调风格的兴起，他对音乐的未来更加乐观。
He was more optimistic about the future of music, with the rise of minimalism and neoromanticism as predominantly tonal styles.
他痴迷于西方音乐，厌恶三岛由纪夫的形式主义。
He is a devoted fan of western music and hates the formalism of Mishima.
身为浪漫主义音乐先驱的肖邦，音乐品味却很保守。
Chopin was at the vanguard of Romantic music, but his own musical tastes were conservative.
舒夫坦这样对我说道：“我意识到它是一首带有浪漫主义哲学气息的音乐。
“I realised that song is romantic philosophy in a nutshell, ” says Schuftan to me.
音乐节之后马上给人以惊异和欣慰感，但其真正的影响是过度的理想主义。
While its immediate aftermath was amazement and relief, the festival's full legacy had as much to do with excess as with idealism.
他对其他音乐家的强烈民族主义感到不安。
He was also uncomfortable with the muscular nationalism other musicians were embracing.
他是“另一个俄罗斯”中的重要人物，这个同盟中既有自由派又有民族主义者。他曾经和光头党合作过，还和那些同样持激进民族主义观点的摇滚音乐家们合作过。
A leading light in Other Russia, a coalition that includes liberals and nationalists, Mr Limonov once allied himself with skinheads and rock musicians as well as ultra-nationalists.
作者Lynskey对音乐人Ochs的激进主义怀着更多的同情，相反他认为Dylan偏离传统反抗歌曲的创作是一种“背叛”，真正意义上的“反抗音乐”已经和他分道扬镳。
Lynskey is plainly more sympathetic to Ochs’s activism, and he calls Dylan’s turn away from traditional protest songs his “abdication.” The full significance of “protesty” music eludes him.
“我有时会被很多说唱乐歌词表现出的厌女症和拜金主义困扰，”奥巴马评论道，“但我想运用这种艺术形式的天才们已经开始改变文化和音乐的风貌了。”
"I am troubled sometimes by the misogyny and materialism of a lot of rap lyrics," Obama remarked. "But I think the genius of the art form has shifted the culture and helped to de-segregate music."
比如，英国大使馆正发起一场的反种族主义音乐会，将在8月布达佩斯节时举行。
The British Embassy, for example, is sponsoring a Music Against Racism event at a Budapest festival in August.
那时，被称为turbofolk的音乐流派(1990年代南斯拉夫出现的音乐流派)红极一时，尽管这种音乐总是暗含民族主义的意味。
What was known as "turbofolk" music was popular everywhere, even with its often nationalistic connotations.
事实是，19世纪与马克思同时代的查尔斯·狄更斯(Charles Dickens)和维克多·雨果(Victor Hugo)的社会批判主义作品，已经被非常成功地改编成两部载歌载舞的音乐剧——《雾度孤儿》(Oliver ！)
True, the social criticism of Marx's 19th century contemporaries Charles Dickens and Victor Hugo has been transmuted into two hugely successful all-singing, all-dancing musicals - Oliver!
作为现代音乐的第一个流派是表现主义音乐。
他是个充满智慧的唯美主义者，他的音乐比任何其他作曲人的都更能深刻反映人性中的浪漫主义。
An intellectual as well as an aesthete his music more than any other composer reflects the deep personal nature of romanticism.
柏辽兹是浪漫主义时期具有鲜明个性的作曲家、指挥家和音乐评论家。
Berlioz is a composer conductor and music critic with distinctive character in the romanticism times.
事实却并非如此。哈农科特从不在乎权力……，他是一位理想主义音乐家：他的观点影响至深，且论据有力充分。
It was not to be. Harnoncourt has never been interested in power... Harnoncourt is a musical idealist: he has powerful views and strong arguments to support them.
福州钻石年代娱乐会所是由国内著名设计大师倾心设计，充分展现解构主义设计理念，完美诠释音乐与建筑糅合的最高境界。
Fuzhou masonry years by domestic renowned designers focused design, full deconstruction design, perfect interpretation of the highest realm of music and architecture blend.
德彪西音乐和印象主义绘画的艺术追求、文化内涵及审美意蕴就是一个例证。
Debussy music and Impressionist paintings of artistic pursuit, and cultural connotation and Aesthetic is an example.
但事实并非如此，因为哈农·考特对权力从来不感兴趣。他是一位音乐理想主义者：他的观点坚强有力，并有不可动摇的论据支持他的观点。
It was not to be. Harnoncourt has never been interested in power...... Harnoncourt is a musical idealist: he has powerful views and strong arguments to support them.
本论文从美学的角度，探讨了19世纪欧洲浪漫主义音乐大师瓦格纳的创作思想、风格以及对后世的影响。
The paper approaches Richard Wagner's, who was the great master of the 19th European romanticism music, artistic ideas, style and its influences to his afterworld from the aesthetics angles.
本论文从美学的角度，探讨了19世纪欧洲浪漫主义音乐大师瓦格纳的创作思想、风格以及对后世的影响。
The paper approaches Richard Wagner's, who was the great master of the 19th European romanticism music, artistic ideas, style and its influences to his afterworld from the aesthetics angles.
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