第二章分析《休吉》和《长日入夜行》。
The second chapter centers on Hughie and Long Day's Journey into Night.
《长日入夜行》中杰米蒂龙的形象表现了奥尼尔的悸论美学，即“矛盾产生动能”的创作理念。
Jamie Tyrone in Long Days Journey into Night reflects 0 Neil s paradoxical aestheticism that contradiction generates kinetic energy.
本文认为《长日入夜行》中东方理念不仅没有削弱，反而得到了前所未有的加强，整个剧作充满着道家思想和佛学思想的张力。
The paper argues that Oriental thought in the play is by no means in oblivion, on the contrary, the influence of Taoism and Buddhism has been reinforced unprecedentedly.
本文认为《长日入夜行》中东方理念不仅没有削弱，反而得到了前所未有的加强，整个剧作充满着道家思想和佛学思想的张力。
The paper argues that Oriental thought in the play is by no means in oblivion, on the contrary, the influence of Taoism and Buddhism has been reinforced unprecedentedly.
应用推荐